“Hey, Sammohini.” The voice suddenly appeared after a typing lull, along with her mentoring coworker, Hank. “How urgent is that 1 o’clock?” “Oh, umm… yeah, uhh… that’s a move assessment for Nephrology for next week.” “Can you reschedule it? We’d,” and he looked around the cube farm area before dropping his voice, “like to have a team meeting since Linda and Lisa are both away. We were thinking… Wiles’s…” Before exclaiming, she calmly said, “no worries.”
“It’s like going into a landscaping project best suited for a rake with a shovel.” “I’d get in there with a backhoe!” I prep my writing like landscapers prep the land with a backhoe before using a rake. Some projects just require a light raking or editing. I’m teaching myself how to use the writer’s equivalent of a backhoe because writing John [left] and Trishna’s [right] stories – “The Story” – is like landscaping for someone important.
Spoilers?: Minor (worldbuilding brainstorming exercise)
WANNA CONSIDER, MAYBE, THE PROS AND CONS OF BUILDING FAST VERSUS SLOW AND HOW YOU CAN DO BOTH WHILE STILL WORKING TOWARD YOUR GOALS? CLICK HERE TO KEEP ON READING!
“If I had a superpower, it’d be persistence.” I’m tested against that seemingly arrogant statement every moment of every day. There will always be reasons to slip. Peace might just be unobtainable through any other means than constant conflict, yet that’s the only way I see that will get me to a place where I won’t feel tempted due to insecurity, doubt, or misery. To persist in the face of adversity is my comfort zone.
WANNA READ HOW I PICK MYSELF BACK UP? BY THE WAY, THIS IS ONE OF THOSE ESSAYS WHERE INSPIRE MYSELF TO PICK MYSELF BACK UP, AND PUBLISH IT SO YOU MAY BE INSPIRED AS WELL. CLICK HERE TO KEEP ON READING!
Nothing is more frustrating creatively than being unable to execute upon your imagination. You might perfectly envision something while laying half-asleep in bed, yet when you ready your tools, something doesn’t translate! The writing’s flat, drawing’s weird, or project’s just not progressing. How do you fix that? For my development of “The Story,” it’s simple: don’t give up! Keep writing/working, worldbuilding/developing, and planning on what’s easy, constantly working on harder material, until it’s all natural!
Spoiler Warning Scale: None (brainstorming tactics) WANNA CONSIDER WHY YOU SHOULD BALANCE SMALLER AND LARGER PROJECTS? AND WHY YOU SHOULD GO THE DISTANCE WITH YOUR PROJECT? CLICK HERE TO KEEP ON READING!
Where do we store our imagination? Do we go about our days observing our reality only to occasionally dip our toes into the vastlessness of a communal pool of imagination? Are creatives and worldbuilders just siphoning that imagination into sippy cups we all can enjoy while mostly-engaged with reality? The more focus I place on “The Story,” and the more time I spend trying to create it, the more I wonder about these abstract concepts.
Fitness instills this sense of discipline: minor inconveniences will not impede major progress! Throughout any typical set, if all goes fine, there shouldn’t be any long-term strains or short-term pains. There shouldn’t, at least, other than maybe the mild sting of moving your muscles. Once that soreness is gone, all that’s left is the single-minded focus on your objective: completing the set/goal. It may not be great, or good, but the result will be complete.
The more I see of the homeless population in Seattle, the more I think it’s not a lack of resources available to people that are underprivileged. Shelters, soup kitchens, and scant opportunities are available. But why try? Why is it that there are only a few ways to survive in the Americas: become stressfully rich, scrape by while living in massive debt, or live outside the system? Is there any way out of corporate subjugation?
Two childhood friends sat on a run-down apartment patio on a warm summer evening. There had been a lull in their reacquainting conversation.
“Hey Jane, so Samuel and I were looking through some old stuff, to you know, downsize and stuff, and well, I have these boots I never wore that might be worth some money. If you want to sell them, we could split it. I think they should be worth at least $100… Interested?”
Can we truly write any character without referring, even tangentially, to personal or professional experience? No matter how fantastic, bizarre, or false a character’s actions may seem to us, they are still rooted in some level of perception of our reality. Even filtered post-collaboration, most characters still represent certain unshakeable authorial archetypes of personality. Let’s explore how similar John [center] and Trishna [right] might be to me as their character arcs develop in “The Story.”
Spoilers?: Minor (character development/exploration)
WANNA CONSIDER HOW ORIGINAL CHARACTERS ARE LIKE MOONS ORBITING THE GRAVITY FIELDS OF EXISTING CHARACTER PLANETS…? OR WAS THAT TOO ABSTRACT? CLICK HERE TO KEEP ON READING!
What hill are you willing to die on? What is the one goal you hold in such high regard that you will do whatever it takes, for however long it may take, to achieve? My truth is, even after fully envisioning the achievement resulting from surviving that hill, any vulnerable moment contains elements trying to drag me down. Why can’t we ignore these distractions and continue our climb? Why do we fight in meaningless battles?