It’s hard dealing with people in an idyllic world. If someone is rude in a polite world, it’s unfathomable! If you’ve encountered enough personal or professional experiences where people cheat their way to victory, then you can spot it quickly. “The Story” – an amalgamation of our world, truths, fiction, and imagination – is not idyllic. How readily can Trishna (left) and John (center) handle or even utilize liars, cheaters, and comical villains like Dr. Mindbender (right)?
We must follow sometimes cultural norms and other times forge our own paths. When do we decide between the two? I’ve always been guided by the path that yields the better results for my goals and aspirations. If I see the fossils of some failed beast, I steer clear, otherwise I’ll proceed toward a thriving dinosaur of wonder. How about Trishna and John? How much of “The Story” balances writing norms and blazing new trails?
Spoiler Warning Scale: Minor (planning, brainstorming) WANNA READ ABOUT FORGING YOUR OWN PATH WITHIN CLEARLY DEFINED NORMS? CLICK HERE TO KEEP ON READING!
“I collect LEGO to use as props for my big story. But only the ones that fit into their world. They’re probably not big into monster trucks, so I would have no need for this.” My customized LEGO minifigures, showing main characters Trishna (left/above) and John (left/below), have paid for themselves and any prop sets tenfold for their effectiveness in building ideas within the world of “The Story.” Here’s why you should consider similar props.
Mother’s Day for the Lanchester family is an important celebration. Like Father’s Day, and everyone’s birthday, it’s more than just an excuse for Trishna (left) to take photos of her newborn niece Alejandría (“Allie Pally”). It’s a time to reconnect, fortify long-term goals, work through any lingering problems that might need attention, and celebrate the matriarchal side of the family. Let’s explore how Mother’s Days might feel in the first few years of “The Story.”
Spoiler Warning Scale: Minor (hypotheticals, character development)
WANNA READ ABOUT SOME COOL MOMS AND POTENTIAL MOMS? CLICK HERE TO KEEP ON READING!
No matter how much we mentally prepare for change, life can slip out of control instantly. “Tout passe [everything goes], tout lasse [everything tires], tout casse [everything breaks].” The concept of “control” is a mental construct of our collective imagination that we dare wield to challenge The Great Unknown in a battle of normalcy over our chaotic reality. With only tangential relation, how might Trishna (center) and John (right) handle vulnerable moments in “The Story?”
The introductory conflict of “The Story” is how two social outcasts, John (left) and Trishna (right), want to develop their relationship yet can’t due to geographic distance. It’s not spoiling this conflict to say they do meet, since this conflict is the narrative introduction deemed “The Scene,” and it’s a convenient inference. If their natural inclination then is spending all of their time together, after spending years physically apart, would they even have separate hobbies?
While painting this inconsequential accent wall, I thought about how Trishna (left) and John (right) might paint in “The Story.” Trishna might lock her breaks, dip her roller with extension pole into a paint tray, paint one section, move, and repeat. John might then get the finer details along the corners. Since painting takes preparation, planning – and when working with others, teamwork, collaboration, and delegation of duties – how well would they handle any possible friction?
The 5-person panel interview at the Department of Revenue was going ‘excellent’ and ‘alright’ simultaneously. Everyone flipped between either word for every answer. Jane was having trouble reading the expressions of the two potential teammates, hiring manager, and two customers when she heard the strangest interview question of her career: “If my team were a farm, what barnyard animal would you be, and why?” She’d brushed up on any applicable modern technology, but nothing agricultural.
We can decide whether our weaknesses will cause us to become weak. While most weaknesses can become excuses that can potentially control us, there are exceptions that should be respected. My intentions are pure, so let’s not focus on any possible hypotheticals for this week’s update to “The Story.” Instead, let’s focus on two casual examples of when main characters John (off-center) and Trishna (center) decide to not let their physical weaknesses make them weak.