Fitness isn’t universal. What works for me might not work for you. Within 6 months, I should return to my former apex of rowing hour-long sets, which is not something most people would enjoy. Instead of being frustrated over not being able to do that, focus on what you can do with what you have, for your intended results. I see rowing as a tool that can help me do what I want: more universal tasks.
What captivates us about stories of heroes and villains? Do we enjoy seeing competent players battle, with the winner usually being one closely matching our morals and ideals? How much influence do we allow these fictional and realistic heroes to play in our lives? In “The Story,” does Rogue influence Trishna (left)? Does Deadpool influence John (right)? Would they even appear, in passing, as copyright-obscured characters? Or would their world value different sorts of heroes?
Spoiler Warning Scale: Minor (just worldbuilding)
WANNA CONSIDER HOW OUR HEROES ARE MERELY JUST HUMAN/HUMAN-INSPIRED SYMBOLS OF WHAT IS POPULAR AND WHAT WE ASPIRE TO BECOME? CLICK HERE TO KEEP ON READING!
#rowingmachine 50 rows. I’ll let you in on a little secret. I’ve actually been doing 51 rows lately! Not 50! This innocent deception is just to confirm I hit 50 rows. Especially when I occasionally exert myself well past my physical and mental limits, where each of the last 10 rows feels like I’m climbing up and down Mount Everest, I’m spent by the time I reach 50. Also, I go with 50, not yet 200, because it’s a reasonable amount any day.
In our previous dialogue concerning body language, we considered three subjective ways to read nonverbal communication when people are disinterested in what we’re saying. How about gauging interest? Remember, this isn’t a syntaxical language like sign language. It’s tricky reading between the lines because people can multi-thread attention, appearing distracted while paying attention, or feign interest. Here are three clues that someone is probably invested in your topic of conversation or faking it well enough.
Body language is an unreliable subtext within the art of communication. When we speak or write, we convey our intent in usually logical language. Nonverbal communication is visceral, emotional, and something we emit constantly. We are never not nonverbally communicating. If we can read the occasional nonverbal cue, then we can gauge the interest of others, without having to ask them directly. We’ll cover three main examples below. Just remember, these are more general implications.