I don’t know how much of the introduction to “The Story” will start before John [left] and Trishna [right] meet. It’s an important period, to be sure, rife with rudimentary situations where they both have to learn to tolerate reality. As much as they may want to hide from their situations, bullies, and presents, their adolescences, like our own, is where we form our abilities to evaluate when to fight, flight, or delight in escapism.
If my ambitions for “The Story” include comprehensive commentaries on the nature of our reality, how much nuance should go into those commentaries? A thoroughly-built restaurant might evoke patron conversations idly chatting over the fine flatware or reveal restaurateuring price negotiations for finer flatware. The narrative should always guide the focus. It’d waste your time and my effort if Trishna (left) and John (right) only visited Zbigniew’s (center) Teriyaki once. But if they go frequently…?
Spoilers?: Minor (worldbuilding, character development)
WANNA CONSIDER BALANCING WOLRDBUILDING DETAIL BASED ON THE NARRATIVE WEIGHT OF THE LOCATION? CLICK HERE TO KEEP ON READING!
“I collect LEGO to use as props for my big story. But only the ones that fit into their world. They’re probably not big into monster trucks, so I would have no need for this.” My customized LEGO minifigures, showing main characters Trishna (left/above) and John (left/below), have paid for themselves and any prop sets tenfold for their effectiveness in building ideas within the world of “The Story.” Here’s why you should consider similar props.
Stop defending yourself! Quit justifying your existence, your actions, or your life’s intentions to every person you observe. We’ve got it all twisted. Sure, it’s important to explain ourselves to our family and close friends. They’re invested in our future and our failures could drag them down financially or emotionally. Everyone else, though? Who cares! Why invest your energy in the stranger that might scoff at you? All that does is lead to feeling insecure!
Fitness isn’t universal. What works for me might not work for you. Within 6 months, I should return to my former apex of rowing hour-long sets, which is not something most people would enjoy. Instead of being frustrated over not being able to do that, focus on what you can do with what you have, for your intended results. I see rowing as a tool that can help me do what I want: more universal tasks.
I think we focus too much on what other people think about us. When I’ve felt awkward, it’s usually because I’m thinking too much about what people think of me while I’m doing something. It’s all in my head, too. No one ran up to me exclaiming that I shouldn’t photograph this sign. Most people wouldn’t even care. If they did, it’s only because I distracted their own focus. How can we overcome focus insecurity?
This scene in “The Story” concluded a recent float tank session like a vague memory from a life I never lived. Shortly after John (right) arrives at Trishna’s family farm, her father Divit (center) has “the chat” he has with anyone that is considering becoming close friends with any of his daughters or sons. Let’s explore how I’m building this scene, so once I write it formally, it will have the appropriate emotion and resonance.
The renovation focus for my hyperfunctional office, dubbed “Zeal,” is about shining light on hindrances. This renovation project has enabled me to jump from “aha moments” to production quicker each week. Since each writing upload on this website relies on visual elements to punctuate my thoughts, lighting accidentally became a hindrance if I wanted to photograph something in my lightbox. Now I can quickly photograph a thought, then focus on writing, without trivial photographic distractions.
It’s been useful having physical representations of the main characters of “The Story.” I can bring these minifigs representing Trishna (left) and John (right) along with me to brainstorm ideas on the go and their ubiquity allows me to quickly consider in new ideas. The set with Trishna’s wheelchair also had this dog, which after some brainstorming, became a pivotal character in her back story. Let’s explore how one dog could provide such great service.
Spoiler Warning Scale: Minor (character-building, without major plot details)
WANNA INCIDENTALLY READ MORE ABOUT SERVICE DOGS ALONG WITH A DOG CHARACTER BIOGRAPHY? CLICK HERE TO KEEP ON READING!
While soaking in miniature houses at the fair, observing cool LEGO sets in stores, and attending concerts, I was brainstorming ideas for “The Story” as I always do. This week’s focus was worldbuilding the Lanchester farm. Trishna was born and raised there. Unfortunately, the implications of some mild bug has taken some of my focus away, so let’s explore how John (laying “in bed”) and Trishna help each other through their sicknesses, to get healthy.
Spoiler Warning Scale: Minor (some spoiler-marked scene brainstorming)
WANNA READ ABOUT SOME SICKNESSES AND POSSIBLY HOW THEY’RE OVERCOME? CLICK HERE TO KEEP ON READING!