It’s hard dealing with people in an idyllic world. If someone is rude in a polite world, it’s unfathomable! If you’ve encountered enough personal or professional experiences where people cheat their way to victory, then you can spot it quickly. “The Story” – an amalgamation of our world, truths, fiction, and imagination – is not idyllic. How readily can Trishna (left) and John (center) handle or even utilize liars, cheaters, and comical villains like Dr. Mindbender (right)?
We must follow sometimes cultural norms and other times forge our own paths. When do we decide between the two? I’ve always been guided by the path that yields the better results for my goals and aspirations. If I see the fossils of some failed beast, I steer clear, otherwise I’ll proceed toward a thriving dinosaur of wonder. How about Trishna and John? How much of “The Story” balances writing norms and blazing new trails?
Spoiler Warning Scale: Minor (planning, brainstorming) WANNA READ ABOUT FORGING YOUR OWN PATH WITHIN CLEARLY DEFINED NORMS? CLICK HERE TO KEEP ON READING!
How would you handle your career’s perfect storm scenario? The technical support scenario goes like this: you have a non-urgent scheduled event, someone calls just before you leave about an urgent issue, oh and an executive has a question about something trivial. How would you handle that scenario? “Assuming I can’t ask for help from anyone, right?” “Right.[1,2]” There’s plenty to unpack to make sure you got everything, but, did you deduce the red flags?
“I collect LEGO to use as props for my big story. But only the ones that fit into their world. They’re probably not big into monster trucks, so I would have no need for this.” My customized LEGO minifigures, showing main characters Trishna (left/above) and John (left/below), have paid for themselves and any prop sets tenfold for their effectiveness in building ideas within the world of “The Story.” Here’s why you should consider similar props.
Mother’s Day for the Lanchester family is an important celebration. Like Father’s Day, and everyone’s birthday, it’s more than just an excuse for Trishna (left) to take photos of her newborn niece Alejandría (“Allie Pally”). It’s a time to reconnect, fortify long-term goals, work through any lingering problems that might need attention, and celebrate the matriarchal side of the family. Let’s explore how Mother’s Days might feel in the first few years of “The Story.”
Spoiler Warning Scale: Minor (hypotheticals, character development)
WANNA READ ABOUT SOME COOL MOMS AND POTENTIAL MOMS? CLICK HERE TO KEEP ON READING!
No matter how much we mentally prepare for change, life can slip out of control instantly. “Tout passe [everything goes], tout lasse [everything tires], tout casse [everything breaks].” The concept of “control” is a mental construct of our collective imagination that we dare wield to challenge The Great Unknown in a battle of normalcy over our chaotic reality. With only tangential relation, how might Trishna (center) and John (right) handle vulnerable moments in “The Story?”
I’ve been in the same 5-pound weight range since January. I was on this same plateau years back at a stressful job. While fear-based goals like “I’m in terrible shape, I should change that” are effective, those goals fade when the fear subsides. Success-based goals, like “increasing fitness functionality,” also subside after vague accomplishment. I need a new goal. Something more concrete… maybe: “I want to become the best version of myself that I can.”
The introductory conflict of “The Story” is how two social outcasts, John (left) and Trishna (right), want to develop their relationship yet can’t due to geographic distance. It’s not spoiling this conflict to say they do meet, since this conflict is the narrative introduction deemed “The Scene,” and it’s a convenient inference. If their natural inclination then is spending all of their time together, after spending years physically apart, would they even have separate hobbies?
Stop defending yourself! Quit justifying your existence, your actions, or your life’s intentions to every person you observe. We’ve got it all twisted. Sure, it’s important to explain ourselves to our family and close friends. They’re invested in our future and our failures could drag them down financially or emotionally. Everyone else, though? Who cares! Why invest your energy in the stranger that might scoff at you? All that does is lead to feeling insecure!
While painting this inconsequential accent wall, I thought about how Trishna (left) and John (right) might paint in “The Story.” Trishna might lock her breaks, dip her roller with extension pole into a paint tray, paint one section, move, and repeat. John might then get the finer details along the corners. Since painting takes preparation, planning – and when working with others, teamwork, collaboration, and delegation of duties – how well would they handle any possible friction?