I’ll sometimes ask questions a self-aware videogame character might ask to progress the story along. (…I was a character in a videogame…) Especially when there’s enough time for parting words, I like asking for advice. Along with the extra lives’s worth of experience, these are the most rewarding conversations, because when faced with the reality that we may never meet again, any pretenses are dropped, and we exchange unfiltered truths about ourselves and our realities.
How often do you meet new people? Not just regurgitating scripts during transactional interactions with humans, either, how often do you allow yourself open up so that new people can meet you? That does require the vulnerability of letting your guard down, inviting people to see your ego’s grit, and possibly getting hurt. “The Story” will focus on many people and encounters, centering around Trishna (left) and John (right), almost as guides through their world.
Spoiler Warning Scale: Minor (philosophical character-building!) WANNA SEE HOW JOHN AND TRISHNA MEET OTHER FICTIONAL CHARACTERS? AND HOW THIS ANALOGY WORKS WELL FOR MAKING NEW FRIENDS? CLICK HERE TO KEEP ON READING!
If “The Story” is my writing end goal, why distract myself with so much? The rowing makes sense because it’s good to be healthy. Why not compress it down? Spend that time studying fiction? Read the classics? Take classes, write drafts, send them out for criticism, revise, and learn the craft? Well, the thing about John (left) and Trishna (right) is that they’re two shades of our reality spectrum, and their story references it all.
The ideal world would not have any villains. We’d go about our peaceful days without conflict. This “drama-free” world would not be functional, however, because by our very natures we have different interests and therefore investments. I’d rather wake up early to write broadly about how John and Trishna (right), main characters of “The Story” might overcome adversity, here shown as Dr. Mindbender (left). You might prefer clicking on the link/image below to continue reading.
Spoiler Warning Scale: Minor (just chatting about psychology/backstories)
WANNA STOP SIGHING LOUDLY OVER HOW CORNY THAT SEGWAY WAS AND KEEP READING ABOUT HANDLING CONFLICT? YOU KNOW YOU DO. CLICK HERE TO KEEP ON READING!
“So my friend Jane applied for a contract here, and she’s, like, really good- much better at doing any sort of advanced thinking stuff than I’ve ever been, and she didn’t get it- the agency said that management went in a different direction and, you know, I’m just, well, I wanted to ask you about it- can I?”
Her manager’s office was filled with military awards.
“I understand, Sam. Lisa won’t favor me divulging this.”
In my last summer without obligations, between high school and college, I spent most of that innocent time writing a foundational element to “The Story” References stars John (left) as “everSOL the Valiant,” crash-lander on a strange planet that is driven to find his dearest friend “Trisha” (right). I forgot about References to become a salaryman. After rescuing it from this almost-lost disk, what’s available is online, unmodified. Let’s talk about my successful failure: References.
Spoiler Warning Scale: Minor (just recollections, regrets, reinforcements…) WANNA LEARN FROM MY MISTAKES TO BETTER IMPLEMENT YOUR BIGGEST IDEAS AND DREAMS? CLICK HERE TO KEEP ON READING!
Another 70 posts in the can! Compared to when I was first getting my footing with this website nearly 400 posts ago, things are coalescing now into a finely-tuned machine that seemingly spits out content daily. What if you told me then that I’d be spending an average of three hours daily writing, sometimes waking up at 3AM to write, all to chase my dreams? I’d say good! This dream is the only good fight there is:
Words mean nothing if you can’t tell a story. Stories should have a purpose, whether it’s suggesting new ideas or encapsulating authentic emotions, otherwise what’s the point? My writing system helps me write efficiently because everything here ties together, even loosely. I have big ambitions for this recent untitled set of short stories starring Sammohini, a side character in “The Story,” so let’s explore the behind-the-scenes moments I captured while writing “Words Mean Nothing V.”
Words mean nothing between Trishna (left) and John (right). As main characters of “The Story,” they’ve built rapport via thousands of digital words and hours of phone conversation before ever meeting. While other side characters may falter over minor miscommunication misunderstandings, typically, they understand each other almost subconsciously. That might be the cosmic romantic ideal, so I’m taking my time to explore their personalities and understand their faults fully, before I begin writing their story.