“I didn’t take the farm because I didn’t want to work 24×7.” The setting for the Lanchester Farm, a key location in “The Story,” was admittedly inspired partially by farms in popular culture. The quaint aesthetics and hard working characters must have subconsciously appealed to me more than any familiar city setting. The reality is much more involved. Let’s plow through some highlights of my agriculture study notes to see how the farm may change.
The world of “The Story” can’t just anecdotally revolve around John and Trishna. Learning about related and peripheral characters can help enrich the overall narrative, especially as I start digging into details. Why do Trishna’s parents, Divit (left) and Brigit (right), own a farm? It’s hard work compared to our current digital work. Was it out of appeal? How much of it was out of necessity? Are farms even profitable in their world? Let’s explore.
“I.T., this is Sam.”
“Sam, Tia. Got a weird one, but first, how’s your baby? Healthy?”
“She’s stoked to be over at my parents this week, thanks-”
“Sure. Occasionally seeing this since yesterday. Rebooted. Sent you photo. Says battery life: 6800 hours.”
“Huh. Well, does it hold a charge?”
“Yes, going bad?”
“Probably… I’ll email you the battery model. Expense it, send me the weird one, and let me know if it persists.”
“Sure, appreciated. Bye!”
“The Story,” my ambitious project that permeates everything I do, has holidays similar to modern Americana. Let’s consider their biggest winter holiday: most everyone in Trishna’s extended family meets at her parents’s place, the Lanchester farm, for a day or so of festivities and socializing. This is also John’s first holiday with the family, and perhaps first big holiday gathering, since his childhood years were spent neglected or ignored. Let’s focus on the positive festivities:
Spoiler Warning Scale: Minor (first year narrative and world building)
WANNA SEE WORLD BUILDING AND FAMILY DYNAMICS OF THE MAIN CHARACTERS OF THE STORY? CLICK HERE TO KEEP ON READING!
This scene in “The Story” concluded a recent float tank session like a vague memory from a life I never lived. Shortly after John (right) arrives at Trishna’s family farm, her father Divit (center) has “the chat” he has with anyone that is considering becoming close friends with any of his daughters or sons. Let’s explore how I’m building this scene, so once I write it formally, it will have the appropriate emotion and resonance.
“The Story” will mainly tell the story of two characters: John (left) and Trishna (center). During a summer they spend together on Trishna’s family farm before heading off to college, after years of chatting exclusively online with the occasional phone call, they learn about each other and the world. They’ll talk with her parents Divit (center) and Brigit (right) about these topics, in passing, cemented with one serious conversation that should help them stay safe.
Spoiler Warning Scale: Minor (backstory and worldbuilding)
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“Tasks are how we succeed or fail. Everyday, we must complete tasks, John. This book has all tasks we must do today.” Let’s broadly consider discipline in this week’s update to “The Story.” Though primarily focused on how John (left, waving) learns to integrate with his new family and living environment on the Lanchester Farm, after years of chatting online with their youngest daughter Trishna (right, sitting), there might be some general motivational material, too.
Spoiler Warning Scale: Minor (analogies using Trishna’s family farm worldbuilding)
WANNA CONSIDER APPROACHES TO COMPLETING DAILY TASKS? CLICK HERE TO KEEP ON READING!
Whether or not you’re weighed down by material possessions may depend on your perception of their usefulness as tools. I find value in tools that I haven’t used in four months, like Dr. Mindbender here, or even four years. Others may find hindrance with those older tools. Let’s explore the material perceptions of the main characters of “The Story,” since Trishna (left) grew up in a decently comfortable middle-class family and John starkly did not.
Spoiler Warning Scale: Minor (backstory, general worldbuilding, and something sexy)
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This scene popped in my head, almost fully realized. Small glimpses into “The Story” frequently say hello, moments where Trishna (left) might interact with someone or I might wonder how she or John (not pictured) might overcome certain situations, yet rarely are these daydream moments so powerful as this scene was on Tuesday. Let’s explore one of the more foundational moments of The Story: a conversation between Trishna and her parents, Divit (middle) and Brigit.
Spoiler Warning Scale: Minor (building a crucial pre-narrative beginning scene)
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Rather than focusing on character traits, this week’s brainstorming update to “The Story” will focus on a scene that’s cooking in my mind’s creative oven. Let’s see about collecting the ingredients for one of the first events following ‘the scene,’ or the catalytic events that throw everything into motion, where John (right) is invited over to Trishna’s family for dinner. The spoilers after the jump are primarily just world building stuff, so let’s dig in!
Spoiler Warning Scale: Minor (early narrative scene building)
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