[Sammohini Arc] Gas Station Mascara

“Why’s this taking so long? It must be back to working order promptly.”
There was a haze around the office, lined with leather-bound wealthy books and well-traveled ornaments, as the computer repair technician averted her eyes away from the small printer on the desk that was not working to the customer, an older woman wearing dusty clothing.
“I’m sorry, ma’am, usually these things don’t take this much time.”

Mechanical chimes.

BEEP… BEEP. BEEP!

Early morning.

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[The Story] Their Shared Password

When Trishna and John meet for the first time, after years spent chatting online and over the phone, how do they recognize each other? It might be easier for Trishna because of certain events during the conclusion of Adolescence Arc “The Story,” but how about for John? Who is this girl that appeared through unforeseen circumstances? Is she really the person he’d been chatting with all these years? And, how can Trishna be so sure?

Spoilers?: Minor (idle character/plot brainstorming)
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[Sammohini Arc] One Question Daily

“Hey Hank, I’ve been trying to reach Tighearnán all day about something. Do you have any advice?”
“T-oh- y’mean Tear? Yeah… ya get one question per day with him. He’s, unfortunately, that busy. Oh, and lemme see the question, too.”
The senior-level computer repair technician, Hank, locked his computer and jumped out of his chair to see the computer screen of Sammohini, a junior-level computer repair technician that had joined his team some months back.

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[The Story] On Saying Farewell

To open one door, you must usually close another door. We often want to cheat the system and keep both doors open as long as possible, maybe because we can’t fully accept choosing one path, but what does that accomplish but ensure we can’t pass through either door? John and Trishna conclude their week-long vacation visiting family in Sindia before starting the College Arc of “The Story” not wanting to pass through those “farewell” doors.

Spoilers?: Minor (psychology of characters)
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[Sammohini Arc] Unreliable Heartbeat Employment

“This is the second time you’ve called out sick this month!”
“I know, I was feeling really sick, really tired, and just couldn’t-“
“Those aren’t excuses!”
Everything was black, except for outlines of her boss and their cube area.
RED, FLASHING, BLUE

She awoke to darkness.
Her sweatpants were covered in sweat.
The blanket was on the ground next to the couch.
It was 4:47 AM.

She had intended to wake early, but not this early.

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[The Story] Cruising Through Genealogy

World-building is merely window-dressing for storytelling. While it certainly is important to loosely understand genealogical, socio-political, and geographical backgrounds within our stories, we are telling stories via subjectively relaying communication rather than objectively deducing science, so the focus should be on the point of these stories. My ambitious project, “The Story,” is about a few topics including overcoming adversities. Considering this more specific topic, would one of Trishna’s great-great-great-grandparents be thematically relevant to the narrative?

Spoilers?: Minor (just an essay…?)
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[Sammohini Arc] Server of Embarrassment

“OK-lure, when in this console window and connected to this server, simply type in this, this, this switch and… are you paying attention?”
The nervous computer repair technician broke her rhythm of looking up at the screen, looking down to write the esoteric command in her notepad, to look over at the more seasoned computer repair technician, Nils.
“Forget it. I’ll do it. I’ll paste console notes into the ticket when I close it.”

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[The Story] Sindian History Museum

I don’t yet know how much variation there is from our world and “The Story.” The easiest variations on fiction are real life and completely divergent paths. If I just wrote about India, then I’d just have to fly there, explore the area, and report my findings in a convenient way, just like writing about some imaginary location. Writing about a pseudo-India, Sindia, would require more research and nuance for John and Trishna to explore.

Spoilers?: Minor (artifacts within worldbuilding)
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[Sammohini Arc] Transportation an Issue

The small apartment had only one functionless piece of decoration: a gaudy customer service award hanging from a nail that had long been painted into the infrastructure in a prominent spot in the living room. “Employee of the Month: Jane Lanyard, IT.” She couldn’t miss reading and re-reading it as she spoke on the phone with one of the few recruiters that might occasionally reach out. “We know transportation has been an issue for you…[1]”

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[The Story] Cricket and Visiting

What do you do on a lazy Sunday afternoon with the family? Especially when geographically distant families visit, like Trishna’s family along with Trishna’s boyfriend John during one small arc early into the overall narrative of “The Story?” Probably what most families do: watch a sports game and catch up with the family! During a recent outing like this, I found one dynamic particularly interesting, which might happen in all families, including with Trishna’s family:

Spoilers?: Minor (characters in scenarios)
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