Wounded Giant are so captivating that I missed something exciting during their performance. Considering my bias for soon seeing them six times, they have the potential to become massively successful. Their musicianship is top notch! Distinctly vibrant melodies guide you through each song like a narrative told through doom metal instead of through letters and words. Other than distributing their music to wider audiences, two hindrances they could refine toward achieving bigger success might be–
(The) Melvins have the musicianship and showmanship that could have made them the biggest band in the world. If they cared. They would have been bigger than Nirvana if they removed anything weird about their slightly inaccessible brand of heavy rock. They have the relentless work ethic to compete with The Beatles. Would compromising their sound be worth the money and fame? Would they still be the same Melvins? Or would they fade from relevance?
My alarm would go off. Rather than go back to sleep, I’d jump on the computer to run through my Shonen Idle Z timers. I beat the game after 5 months of letting the idle game run in the background for nearly 1,000 hours. It’s a pretty game in a low-impact, somewhat trivial, genre. Doesn’t that mean it’s functionally useless and valueless? Why not play a more rewarding game? It can teach one big lesson about motivation.
Mechanics Rating: ★★★☆☆ [3/5]
Discipline potential: ★★★★☆ [4/5]
WANNA LEARN ABOUT SOME INCIDENTAL MOTIVATION? KEEP ON READING!
Musical curveballs are what’s exciting about going to concerts. Prolific performers like Mongolian folk metal band Tengger Cavalry can pick myriad songs to perform, along with touring with diverse performers that can accentuate their sound. On this tour, supporting jazz-meets-metal trio led by Felix Martin informed the audience of the musical intelligence found within Tengger Cavalry’s music. They might also be the most vital proponents, maybe even educators, in the dying art of throat singing.
Seattle radio station KISW hosts an annual all-day concert festival, Pain in the Grass, at the White River Amphitheater. This year’s eclectic performers, appealing to their fanbase or appearing in their programming, included Korn, Stone Sour, BABYMETAL, The Pretty Reckless, Yelawolf, and more. This outdoor event is similar to the Warped Tour, except there’s nothing to do except listen to music, or maybe sleep out on the lawn. Were the performances worth risking a sunburn?
Guitar Wolf are fearless! They prove that if you pour work hard and sweat into your labors, you can achieve success on your terms. Though not selling out a 27,500-person capacity venue, selling out an intimate 200-person capacity venue that “normally doesn’t sell out on a weekday” is still an achievement, especially for their anti-conformist take on garage rock! If you can embrace their abrasive noise, they might be the best teachers of fearless motivation.
Until GWAR signed onto the Warped Tour, I hadn’t been interested in attending the all-day pop rock and punk festival. Festivals are a convenient way to see twenty bands you’re halfway interested in seeing live along with two you want to see. It was a bummer finding out Anti-Flag and Suicide Machines were only for select dates. Was it worthwhile otherwise?
Sidenote: “Low priced” 32-ounce bottle of water for $5.50? More disgusting than GWAR! (Try $2.)
Average Rating: ★★☆☆☆ [2/5] [37 stars out of a 90 possible star rating]
Adjusted Rating: ★★★☆☆ [3/5] [my score]
WANNA SOAKED IN THE FULL DAY’S FESTIVITIES? KEEP ON READING!
How far off-script can you go? If you’re performing a cover song, do you keep the song strictly intact, or can you quote famous passages and improv the rest? Your answer might help determine how you’ll feel about seeing Rodrigo y Gabriela live. You might be distracted following along with the flamenco guitar duo’s casual interpretations of Metallica and Led Zeppelin covers. How about if that’s unimportant and you’re there to observe pure technical musicianship?
When do you strike it out on your own? That question applies for entrepreneurial-minded people in any industry, really, especially those who don’t enjoy living under a boss, rules that aren’t their own, and all that. Conversely, when you’re under the tutelage of another, let’s focus on bands now, you can pick up on what works and what doesn’t work. Xandria may have jumped the gun too soon with this headlining endeavor for one reason.
One problem with enjoying a wide variety of music is that inevitably two performers will play on the same night. Since I’ve seen both Testament and Acid Mothers Temple live, it was just more practical properly seeing Testament live since I already bought tickets, even though I’m a bigger AMT fan. As it turns out, Year of the Cobra was performing the same night, so regardless I would have been missing out. Was it worthwhile?