Tag: Accessibility Rights Club

[The Story] Leaving A Community

I imagine that the online forums that John and Trishna met in “The Story” will also only be a place they’ll hang around in briefly. I imagine that as they talk and as they develop their relationship, they will probably distance themselves from that community. The primary reason for that being that John would have probably experienced hostility for expressing his perspective and Trishna has no interest in remaining within the community, so they leave.

Spoilers?: Minor [considering multitudinous relationships]
WANNA CONSIDER HOW COMMUNITIES SHOULD HELP RATHER THAN HURT YOU? CLICK HERE TO KEEP ON READING!

[The Story] Trishna’s Muscle Strength

I wrote about my accidental method writing for “The Story” in regards to John, whose physicality I can most politely describe as weak, introductorily. Not as in weak-willed, but as in physically weak. I’ve wondered about Trishna. She, also is not weak-willed. She isn’t particularly weak, either. But still, she needs to use a wheelchair to get around because of a bad foot, so while accidentally method writing for John, I considered Trishna’s muscle strength.

Spoilers?: Minor [establishing character physicality]
WANNA CONSIDER NEGATIVE MEMENTOS LIKE THIS ESSAY CAN HELP CAPTURE POSSIBLY POSITIVE FEELINGS, PART TWO? CLICK HERE TO KEEP ON READING!

[The Story] Physical Therapy Places

When I was going to PT, I was letting the fiction worldbuilding for “The Story” do its thing. Whether that’s all me injecting my experiences into a world or me unearthing a fully-realized world is a debate whose answer, if there is one, will reside outside of this essay. However, going there did give me access to certain scenes where Trishna had been going to PT for years, and then after they meet, John joins.

Spoilers?: Minor (characters and settings) WANNA CONSIDER HOW YOU CAN WORLDBUILD ANYWHERE? CLICK HERE TO KEEP ON READING!

[The Story] Formal Wheelchair Dancing

“We could make a dancing game![1]” “Yeah, with a character in a wheelchair, too![2]” It wasn’t so much a look of incredulity as much as the confusion that washed over his face before we changed topics; we later returned to the idea. Like everything in life, without contextual applicability, there is dismissal at worst or curiosity at best. In “The Story,” John hadn’t thought much about dancing until Trishna brings up her interest in trying…

Spoilers?: Minor (brainstorming character interests)
WANNA CONSIDER HOW THE MORE PEOPLE WE MEET AND THE MORE THEY SHARE ABOUT THEMSELVES THE MORE WE LEARN ABOUT OURSELVES? CLICK HERE TO KEEP ON READING!

[The Story] Vertical Slice, October 2018

I’ll casually estimate that I’ve published over 80,500 words related to “The Story” as of yet, even though all content related to it could easily surpass 150,000. Everything is nebulously floating around inside my head, loosely organized, so even writing specific ideas twice each week are just subjective rough drafts. My plan is to write everything in one go after I feel confident that I can. Until then, here’s a 6,000-word vertical slice walking through “The Story.”

Spoilers?: Major (an entire brain-dump)
WANNA READ AS COMPREHENSIVE A LOOK INTO “THE STORY” AS IS POSSIBLE RIGHT NOW? CLICK HERE TO KEEP ON READING!

[The Story] Their First Kiss

“What’s he doing to that dog… no, just kiddin’![1]” What I enjoy most about interacting with people outside my comfort zone is how they take an idea, run with it, and when I catch up, it turns into something much better. In “The Story,” there are millions of ideas that need to align just right for it not to fail. One ruminating idea was: when will John [left] and Trishna [right] have their first kiss?

Spoilers?: Minor (brainstorming a scene)
WANNA CONSIDER IT’S NOT SO MUCH ABOUT THE SINGULAR EVENT AS MUCH AS THE MULTIPLE EVENTS SURROUNDING IT? JUST LIKE IN LIFE? CLICK HERE TO KEEP ON READING!

[The Story] ARC: Artistic Development Events

“The Story” is a thorough commentary on reality. The series of fiction tales will explore the grime and glitter of our reality – what happens, what should happen, and what should not happen – from multiple perspectives, starting with Sammohini and Jane and concluding with our main characters John [left] and Trishna [right]. John and Trishna start college and join their college’s Accessibility Rights Club, participating most in the ARC’s Artistic Development Events. Here’s what they’ll find:

Spoilers?: Minor (College Arc musings)
WANNA CONSIDER HOW IF YOUR COLLEGE ISN’T ALL ITS CRACKED UP TO BE THAT, MAYBE, YOU SHOULD DO SOMETHING ABOUT IT? CLICK HERE TO KEEP ON READING!

[The Story] Focusing on Goals

The most miserable people I’ll meet always have goals and no plans for achieving them. Large or small – whether it’s getting out of debt, buying a boat, getting a job, getting a better job, or finding happiness – people seem to be the most miserable when their goal is impossible rather than difficult obtainable. If my current big goal is writing “The Story,” centered on John [left] and Trishna [right], what goals are they focused on?

Spoilers?: Major…? (early plot structures)
WANNA CONSIDER HOW OUR GOALS DEFINE OUR SELVES? CLICK HERE TO KEEP ON READING!

[The Story] Ubiquitous Cashierial Gigs

Most of my jobs have involved some form of physicality. I’ve only worked with a few people with physical impairments, so I will be the first to admit my lack of perspective perhaps required to tell “The Story,” for Trishna [center] and John [not shown], but it is a story I must tell! So I research, observe, and learn in order to tell this story. We covered John’s gigging last time. Now it’s Trishna’s turn!

Spoilers?: Minor (job-hunting brainstorming 2 of 2)
WANNA CONSIDER HOW RESEARCH IS VALUEABLE BOTH FOR FICTION WRITING AND CAREER HUNTING? CLICK HERE TO KEEP ON READING!