“Think of [moving] like Tetris. You’ve gotta fit everything into one space.” In many puzzle games, you get bonus points for lumping similar pieces together. That sort of design philosophy carries over into album sorting as well. How strictly do you adhere to empirical alphabetical order? Do you count articles [the/el]? Do you lump side projects by members of a band with the band’s discography? Or do you loosely lump albums by genre or …mood?
During brainstorming for my current professional project, we threw around potential tools to use. Though we couldn’t implement one I’ve used before, that didn’t stop me from plugging in all of my tasks so I could brainstorm office renovation tasks on the go. After starting with just the office, “Zeal,” I realized I could apply the same process for the rest of my abode. Now I can envision Zeal as a full renovation lifecycle project.
Musical curveballs are what’s exciting about going to concerts. Prolific performers like Mongolian folk metal band Tengger Cavalry can pick myriad songs to perform, along with touring with diverse performers that can accentuate their sound. On this tour, supporting jazz-meets-metal trio led by Felix Martin informed the audience of the musical intelligence found within Tengger Cavalry’s music. They might also be the most vital proponents, maybe even educators, in the dying art of throat singing.
Sirens wail at the end of Crack Sabbath sets, perhaps in case you weren’t already out of your seat. The ensemble, led by saxophonist Skerik, resembles more of a punk band playing jazz, or, the sort of jazz that had spunk like hard bop or Afrobeat before the genre retired with partial pension. That’s the thing, because as the name implies, they could tour with a traditional Black Sabbath cover band and hold pace.