For me, 2018 is the turning point where albums readjusted to the digital age. For materialistic listeners, we can easily afford and acquaint ourselves with CDs, records, and cassettes. For highlight listeners, it’s easier than ever to legally access just about any album we could think, at least in the top 100. Now we are the gatekeepers. If we like something, we can invest our time before we invest our money. The industry paywall guesswork is gone.
WANNA READ AN ESSAY ABOUT MY THOUGHTS ON ALBUMS AS A WHOLE IN 2018? THEN SEE MY LIST? UNLESS THE FEVER PITCH OF A DRAWING FEATURED HERE DOESN’T CLUE YOU IN TO MY TOP 15, OF COURSE! CLICK HERE TO KEEP ON READING!