To open one door, you must usually close another door. We often want to cheat the system and keep both doors open as long as possible, maybe because we can’t fully accept choosing one path, but what does that accomplish but ensure we can’t pass through either door? John and Trishna conclude their week-long vacation visiting family in Sindia before starting the College Arc of “The Story” not wanting to pass through those “farewell” doors.
I’ll casually estimate that I’ve published over 80,500 words related to “The Story” as of yet, even though all content related to it could easily surpass 150,000. Everything is nebulously floating around inside my head, loosely organized, so even writing specific ideas twice each week are just subjective rough drafts. My plan is to write everything in one go after I feel confident that I can. Until then, here’s a 6,000-word vertical slice walking through “The Story.”
Spoilers?: Major (an entire brain-dump)
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I don’t completely endorse the idea that settings are like characters. While someone’s workspace or personal space can convey surface-level symbolic meaning over personality, what is tolerable or not, and more, I don’t think it’s a comprehensive glimpse into a person’s, or character’s, mind. Still, in “The Story,” there are some key settings that could provide interesting anecdotal information into the minds of Trishna [left] and John [right]. Let’s declutter the psychology from the physical.
Spoilers?: Minor (set-building… as character-building?)
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