Writing is usually easy for me. When it’s not, the writer’s block is either a physical impairment [illness or fatigue] or just being unable to imagine a scene. For the former, I go to sleep. For the latter, I might draw the scene, as I did in an orange notebook with my first novel, A Story About Self-Confidence: What’s In A Name?, a month~long story at Eville Medical in the Sammohini Arc of “The Story.”
The main character of this 2019 Novel, covering thirty days at Eville Medical in the Sammohini Arc of “The Story,” will be Sammohini Lanchester who occasionally introduces herself as Sam. If she were a one-dimensional character, she’d be a stock character. If she were two-dimensional, she’d have three traits – two positives, one negative – to define her, based on people I might have met. Since she’s more three-dimensional, that means I’ve had to explore her imaginary psyche.
Can we really do whatever we want, or do we limit ourselves based on circumstances? Focusing within the realm of fiction, how much freedom do we truly have in telling stories? If I were to write the tale of John [left] and Trishna [right], comprising a majority segment of “The Story,” exactly as I wanted, would it sell? Would it matter? Is that why we tend to compromise, accept our fates, and don’t challenge ourselves?
Spoilers?: Minor (character brainstorming, perhaps)
WANNA READ A WINDING THOUGHT PIECE ABOUT FICTION AND REALITY? CLICK HERE TO KEEP ON READING!
How much do I want to accomplish with “The Story?” If it is a complete commentary on reality, the glitter and grime, then how much of that can be expressed from living in one spot? Within those comforts, you can develop your skills and perceptions, but to truly know the world, you must encounter it. Trishna’s family visit their relatives in “India” or “Ireland” annually. The year John arrives, their plans to flying to “India.”
Spoilers?: Minor (worldbuilding and self-improvement)
WANNA CONSIDER HOW IN ORDER TO TELL BETTER STORIES, ONE MUST EXPERIENCE MORE THAT CAN BE TOLD AS STORIES? CLICK HERE TO KEEP ON READING!
Where do we store our imagination? Do we go about our days observing our reality only to occasionally dip our toes into the vastlessness of a communal pool of imagination? Are creatives and worldbuilders just siphoning that imagination into sippy cups we all can enjoy while mostly-engaged with reality? The more focus I place on “The Story,” and the more time I spend trying to create it, the more I wonder about these abstract concepts.
Can we truly write any character without referring, even tangentially, to personal or professional experience? No matter how fantastic, bizarre, or false a character’s actions may seem to us, they are still rooted in some level of perception of our reality. Even filtered post-collaboration, most characters still represent certain unshakeable authorial archetypes of personality. Let’s explore how similar John [center] and Trishna [right] might be to me as their character arcs develop in “The Story.”
Spoilers?: Minor (character development/exploration)
WANNA CONSIDER HOW ORIGINAL CHARACTERS ARE LIKE MOONS ORBITING THE GRAVITY FIELDS OF EXISTING CHARACTER PLANETS…? OR WAS THAT TOO ABSTRACT? CLICK HERE TO KEEP ON READING!