Tag: Trishna

[The Story] Differentiations From Norm

Genericized ideas within traditional storytelling are popular because it’s easy to understand certain concepts. These concepts may be fairly straightforward, and flavoring differentiations from the norm are what really makes the characters different and unique. Who remembers characters that are exactly like every other? However, when characters are too far away from the norm, then how can they be easily accessible? And within that spectrum, where do John and Trishna in “The Story” fit in?

Spoilers?: Minor (building characters… non-organically?)
WANNA CONSIDER HOW A 20% DIFFERENTIATION FROM A 80% NORM MIGHT BE ONE WAY TO GO? CLICK HERE TO KEEP ON READING!

[The Story] Developing Worlds Logically

“I have a question for you.” “…I have an answer for you![1, 2]” From here, we built a world, the details of which should not matter here besides to refresh my memories as being a nice conversation. What is important is starting off with the biggest details: What do you want this world to be like? Is it X meets Y? From there, tell me who inhabits this world. I’ll tell you who inhabits “The Story.”

Spoilers?: None (just wandering world-exploring)
WANNA SEE HOW I MIGHT CASUALLY BUILD SOME WORLD? CLICK HERE TO KEEP ON READING!

[The Story] Safe and Warm

Something woke him as they slept. He looked at the ceiling of their bedroom. Keeping his head still, he looked at her, embracing his left side, her hair still bright even in the darkness. He closed his eyes but his heartbeat felt like it shook the room. She moved.

“Johnny… are you awake?”

His breath was louder than the gentle sounds of distant traffic.

“Sorry I woke you. Say, what do you like about me?”

Spoilers?: Minor (one minor reference)
WANNA READ MY FIRST ATTEMPT AT WRITING JOHN AND TRISHNA’S CHARACTERS… FOR REAL? CLICK HERE TO KEEP ON READING!

[Moving Zeal] Breaks and Lunches

I haven’t written about “The Story” lately, so, is the project dropped? Far from it! Just because most of my time is spent sorting through the remainder of my possessions that haven’t been boxed up yet doesn’t mean scenes won’t pop up. When I’m taking a break, I might imagine Trishna and Pollyanna posing for a cute holiday photo, or when I’m eating lunch, I might wonder how John would eat or shave his face…

WANNA CONSIDER HOW WE CAN STILL WHAT WE LOVE EVEN WHEN WE’RE IN THE MIDDLE OF WHAT WE MUST DO? CLICK HERE TO KEEP ON READING!

[Applied Self-Confidence] Bettering Better Zombie #8

Oops! Forgot about publishing this. Well, plenty has changed over the past 13 weeks and 92 publications. I originally made these “Betzom check-ins” primarily to comment on how I’ve evolved as a writer, with a slight convenience being something easy to write about. These past 92 days have seen my biggest launching in success yet, and I’m only poised to go succeed more from here… so much so that I didn’t even need the crutch of this essay.

WANNA READ ALL ABOUT THE HUMBLE BRAGS? CLICK HERE TO KEEP ON READING!

[The Story] Banter Between Buddies

There are some people I’ve talked with over the years where I’ve felt an instant connection, where nothing feels weird, there’s no friction even when we disagree, and even when we don’t communicate our ideas well, there’s a degree of empathy that we’re approaching the topic with mutual respect. For others, there’s conflict and anxiety when just saying “hello.” Of all the characters in “The Story,” John and Trishna will have the closest bantering bonds.

Spoilers?: Minor (exploring character interactions)
WANNA CONSIDER HOW OUR ACTIONS CAN AFFECT PEOPLE EVEN WHEN WE’RE APART? CLICK HERE TO KEEP ON READING!

[The Story] Editing With Respect

“By the way, in the interest of time, I am using terse language in my comments, which may come across as patronizing. Totally not my intent.[1]” For two years now, I’ve silently written over 300,000 words, developing the writing/editing skills to properly write “The Story.” In the past month, I’ve hit upon my first major round of success in writing for an audience outside of myself, so thought I’d tie that into John and Trishna’s stories.

Spoilers?: Minor (characters fielding criticisms)
WANNA READ THE PERSPECTIVE OF A BUDDING WRITER ABOUT HOW CHARACTERS MIGHT OR MIGHT NOT HANDLE CRITICISM? CLICK HERE TO KEEP ON READING!

[The Story] Their Shared Password

When Trishna and John meet for the first time, after years spent chatting online and over the phone, how do they recognize each other? It might be easier for Trishna because of certain events during the conclusion of Adolescence Arc “The Story,” but how about for John? Who is this girl that appeared through unforeseen circumstances? Is she really the person he’d been chatting with all these years? And, how can Trishna be so sure?

Spoilers?: Minor (idle character/plot brainstorming)
WANNA GET YOUR AUTHORIZATION TO READ MORE AFTER YOU’VE AUTHENTICATED YOUR INTEREST? CLICK HERE TO KEEP ON READING!

[The Story] On Saying Farewell

To open one door, you must usually close another door. We often want to cheat the system and keep both doors open as long as possible, maybe because we can’t fully accept choosing one path, but what does that accomplish but ensure we can’t pass through either door? John and Trishna conclude their week-long vacation visiting family in Sindia before starting the College Arc of “The Story” not wanting to pass through those “farewell” doors.

Spoilers?: Minor (psychology of characters)
WANNA CONSIDER THE PSYCHOLOGY OF ACCEPTING ASPECTS OF REALITY? INCLUDING SAYING FAREWELL FOR NOW OR FOR MORE? CLICK HERE TO KEEP ON READING!

[The Story] Cruising Through Genealogy

World-building is merely window-dressing for storytelling. While it certainly is important to loosely understand genealogical, socio-political, and geographical backgrounds within our stories, we are telling stories via subjectively relaying communication rather than objectively deducing science, so the focus should be on the point of these stories. My ambitious project, “The Story,” is about a few topics including overcoming adversities. Considering this more specific topic, would one of Trishna’s great-great-great-grandparents be thematically relevant to the narrative?

Spoilers?: Minor (just an essay…?)
WANNA CONSIDER HOW WE NEED TO PRIORITIZE DETAILS AS A WAY TO RELAY IMPORTANT INFORMATION RATHER THAN BOG OUR READERS DOWN WITH WEIGHTY FACTS? CLICK HERE TO KEEP ON READING!