I woke up this morning with a headache. It was because of the way my pillow had arranged itself throughout the night, it lifted up my spine too much, causing severe pressure to my head. I’ve had experience with this before, but I woke up in the headspace where I ask: How could this be applied to “The Story?” Does John experience occasional, severe headaches? If so, does that outweigh Trishna’s severe, frequent spine pains?
How have my own disability experiences affected “The Story?” I don’t believe by much. I am not disabled in the same ways as Trishna or John, but my own experiences can amplify the sensations that I would have been able to intuit but not intimately know without having experienced them. There is a certain value, then, to write about what you know – but I know these characters. Wouldn’t that be enough for knowing about them?
Spoilers?: Minor [knowing yourself, characters]
WANNA CONSIDER HOW YOU’RE NEVER LONELY IF YOU HAVE FRIENDS? CLICK HERE TO KEEP ON READING!
A customer complained to me about his wife’s technological irresponsibility. “I’ve got an audience, so let me tell you…” and though his rationale was sound – yes, you should be careful with expensive technology – I applied their seemingly rocky relationship to Trishna [left] and John [right]. How much will they accept or tolerate of each other’s faults? I’ve always imagined “The Story” to be primarily a nice story about two friends. Will they have sore spots?
Spoilers?: Minor (exploring character traits)
WANNA CONSIDER WHY PEOPLE SHARE SECRETS WITH STRANGERS? CLICK HERE TO KEEP ON READING!
Now that I’m writing bi-weekly updates to “The Story,” I dredged up an interesting realization: why not write about some of the scenes that float through my imagination? It’ll be good practice for the real thing! Throwing characters into hypothetical situations can help build context for how they’ll act in other scenes. Like a movie playing on repeat, what if these scenes are already swimming around in your imagination? Let’s start with an innocent one:
Spoilers?: Minor (rough scene walkthrough)
WANNA CONSIDER HOW THE MORE YOU WORK ON A PROJECT, THE MORE THE PROJECT GROWS SEEMINGLY BY ITSELF? THEN ISN’T IT A MATTER OF SHAVING THE EXCESS? CLICK HERE TO KEEP ON READING!
The introductory conflict of “The Story” is how two social outcasts, John (left) and Trishna (right), want to develop their relationship yet can’t due to geographic distance. It’s not spoiling this conflict to say they do meet, since this conflict is the narrative introduction deemed “The Scene,” and it’s a convenient inference. If their natural inclination then is spending all of their time together, after spending years physically apart, would they even have separate hobbies?
While painting this inconsequential accent wall, I thought about how Trishna (left) and John (right) might paint in “The Story.” Trishna might lock her breaks, dip her roller with extension pole into a paint tray, paint one section, move, and repeat. John might then get the finer details along the corners. Since painting takes preparation, planning – and when working with others, teamwork, collaboration, and delegation of duties – how well would they handle any possible friction?
We can decide whether our weaknesses will cause us to become weak. While most weaknesses can become excuses that can potentially control us, there are exceptions that should be respected. My intentions are pure, so let’s not focus on any possible hypotheticals for this week’s update to “The Story.” Instead, let’s focus on two casual examples of when main characters John (off-center) and Trishna (center) decide to not let their physical weaknesses make them weak.
How often do you meet new people? Not just regurgitating scripts during transactional interactions with humans, either, how often do you allow yourself open up so that new people can meet you? That does require the vulnerability of letting your guard down, inviting people to see your ego’s grit, and possibly getting hurt. “The Story” will focus on many people and encounters, centering around Trishna (left) and John (right), almost as guides through their world.
Spoiler Warning Scale: Minor (philosophical character-building!) WANNA SEE HOW JOHN AND TRISHNA MEET OTHER FICTIONAL CHARACTERS? AND HOW THIS ANALOGY WORKS WELL FOR MAKING NEW FRIENDS? CLICK HERE TO KEEP ON READING!
They say meeting your heroes is a terrible thing because of over-expectation. Stumbling through my words and thoughts, I gained artistic context and overcame shyness from meeting some of my “heroes.” How about John (center-right) and Trishna (center-left)? Do they even have celebrity figures they admire? Let’s take a psychological detour for this week’s update to “The Story” and consider how respect for authority, ambitions, and the drive to emulate, create, or procrastinate inspires idolization.
Spoiler Warning Scale: Minor (possible scene ideas) WANNA POTENTIALLY MEET THE HEROES OF THE HEROES? CLICK HERE TO KEEP ON READING!
Maintaining my rowing machine has become a fun hobby for me. While I’ve known about some metric and standard/American sizes for a while now, it’s a fun tidbit to know that the seat, shown in the upper part of the picture below, is in metric whereas the rest of the machine is in standard. Concept2 must have outsourced that part of the production. If only we could maintain our bodies as easily as our machines.