I spun one of these albums constantly throughout high school, the other only twice after college. Though both are in the same epoch of music cataloged as nu metal, so theoretically if I like one, I should like the other. I’m only keeping the one I have more attachment toward. I spun the hit single of the other. It inspired no enthusiasm. These sorts of comparative analyses can be helpful in downsizing, but also dangerous.
Between the overactive heartbeat, anxiety, looming sense of fear over the unknown, fatigue, and all, as I write this I have been more susceptible than ever toward wanting to get numb. There’d be nothing more fantastic than just returning to some degree of normalcy, but that won’t happen for a while, so instead, I’ll ride these waves of insecurity through to safer shores. All I need to do is write something. Tomorrow will be better.
For me, 2018 is the turning point where albums readjusted to the digital age. For materialistic listeners, we can easily afford and acquaint ourselves with CDs, records, and cassettes. For highlight listeners, it’s easier than ever to legally access just about any album we could think, at least in the top 100. Now we are the gatekeepers. If we like something, we can invest our time before we invest our money. The industry paywall guesswork is gone.
WANNA READ AN ESSAY ABOUT MY THOUGHTS ON ALBUMS AS A WHOLE IN 2018? THEN SEE MY LIST? UNLESS THE FEVER PITCH OF A DRAWING FEATURED HERE DOESN’T CLUE YOU IN TO MY TOP 15, OF COURSE! CLICK HERE TO KEEP ON READING!
Why review anything? What does it matter what I think? It’s my opinion, formed through my perspective and biases, which could change through time and experiencing other media. No matter how closely our opinions could occasionally match, we aren’t the same. Are reviews meant to save time and money? If I say something is good, would you be more likely to check it out? I think reviews should provide information, anecdotes, and friction to consider.